Scene 7, 8, 9, and denouement Staging Notes Lighting: Light/ profane Lighting should gradually begin to fade when Monika tells Mobius that all they film is each other; ***Mobius funnies - crystalizely/ nighttime: - the fade of the airy is symbolical because it begins when Mobius realizes that he is going to kill Monika. He does not flop away his intentions, thus there is the brush between fair play and reality with this technique. Mobius and Monikas silhouettes should no longer be visible by the time Monika is dead and Mobius is kneeling side by side(p) to her body. ***Mobius slickness - infirm/dark one side of Mobius strip is plain present in that he had just polish complete Nurse Monika; his reason for her death is kept secret until come across two. A shaft of light would shine in from Mobius agency and the familiar wash on the layer would go bum to habitual (100%) as he walks out. ***Mobius strip - light/dark: the light coming from Newtons room is artif icial there is once more a conflict between truth and deceitfulness (Newton fakes his identity); he in like manner tries to shine a light on the situation (reveal the stumble of Nurse Monika) Setting and shore up: Truth/Untruth Chandelier: it would not produce light but would fight light. ***Mobius strip - truth/untruth: just about truth in the asylum that is hardly notice, hidden queen-size French doors, with cherry drapes.
***Mobius strip - truth/untruth: represent dark, untruth because this was where the murders took place Rooms only used as a backdrop, leaves room for the actors to move nearly on s tage and so the stage does not looking for ! too jumble due to the chairs, table, couch etc.***Mobius strip - truth/untruth: cannot see into rooms, secrets and untruth Character Development: Reality/ ineffectual Einstein: seems penitent that he killed Nurse Irene and wonders if he could... If you trust to get a full essay, order it on our website:
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