Scene 7, 8, 9, and denouement Staging Notes Lighting: Light/ raunchy Lighting should gradually begin to fade when Monika tells Mobius that all they engage is each other; ***Mobius funnies - crystalizely/ murky: - the fade of the send off is symbolical because it begins when Mobius realizes that he is going to kill Monika. He does not evanesce away his intentions, thus there is the brush between virtue and reality with this technique. Mobius and Monikas silhouettes should no longer be visible by the time Monika is dead and Mobius is kneeling side by side(p) to her body. ***Mobius shine - abstemious/dark one side of Mobius strip is ostensibly present in that he had just polish absent Nurse Monika; his reason for her death is kept secret until fork out two. A shaft of light would shine in from Mobius style and the familiar wash on the introduce would go spur to habitual (100%) as he walks out. ***Mobius strip - light/dark: the light coming from Newtons room is artificial there is once again a conflict between truth and finesse (Newton fakes his identity); he in like manner tries to shine a light on the situation (reveal the stumble of Nurse Monika) Setting and sustain: Truth/Untruth Chandelier: it would not produce light but would fabricate light. ***Mobius strip - truth/untruth: to the highest degree truth in the asylum that is hardly notice, hidden colossal French doors, with cherry drapes.

***Mobius strip - truth/untruth: represent dark, untruth because this was where the murders took place Rooms only used as a backdrop, leaves room for the actors to m ove nearly on stage and so the stage does n! ot looking for too smother due to the chairs, table, couch etc.***Mobius strip - truth/untruth: cannot see into rooms, secrets and untruth Character Development: Reality/ bootless Einstein: seems penitent that he killed Nurse Irene and wonders if he could... If you wishing to get a full essay, order it on our website:
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